The Lone Samurai: The Life of Miyamoto Musashi

The Lone Samurai: The Life of Miyamoto Musashi

by William Scott Wilson

The Lone Samurai is a landmark biography of Miyamoto Musashi, the legendary Japanese figure known throughout the world as a master swordsman, spiritual seeker, and author of The Book of Five Rings.

With a compassionate yet critical eye, William Scott Wilson delves into the workings of Musashi's mind as the iconoclastic samurai wrestled with philosophical and spiritual ideas that are as relevant today as they were in his times.

It is the story of one man's quest for answers, perfection, and access to the Way.By age thirteen, Miyamoto Musashi had killed his opponent in what would become the first of many celebrated swordfights.

He continued to engage in swordfights but now began to show his skill simply by thwarting his opponents' every attack until they acknowledged Musashi's all-encompassing ability.

At the same time, the master swordsman began to expand his horizons, exploring Zen Buddhism and its related arts, particularly ink painting, in a search for a truer Way.Musashi was a legend in his own time.

Ever the solitary wanderer, Musashi shunned power, riches, and the comforts of a home or fixed position with a feudal lord in favor of a constant search for truth, perfection, and a better Way. Eventually, he came to the realization that perfection in one art, whether peaceful or robust, could offer entry to a deeper, spiritual understanding.

His philosophy, along with his warrior strategies, is distilled in his renowned work, The Book of Five Rings, written near the end of his life.Musashi remains a source of fascination for the Japanese, as well as for those of us in the West who have more recently discovered the ideals of the samurai and Zen Buddhism.

The Lone Samurai is the first biography ever to appear in English of this richly layered, complex seventeenth-century swordsman and seeker, whose legacy has lived far beyond his own time and place.---------------------------------------------------------------- INTERVIEW WITH WILLIAM SCOTT WILSON ABOUT BUSHIDOQ.: What is Bushido?A.: Bushido might be explained in part by the etymology of the Chinese characters used for the word.

With this in mind, we can understand Bushido as a Way of life, both ethical and martial, with self-discipline as a fundamental tenet.

Self-discipline requires the warrior at once to consider his place in society and the ethics involved, and to forge himself in the martial arts.

Both should eventually lead him to understand that his fundamental opponents are his own ignorance and passions.Q.: How did the code develop and how did it influence Japanese society?A.: The warrior class began to develop as a recognizable entity around the 11th and 12th centuries.

I would say that the code developed when the leaders of the warrior class began to reflect on their position in society and what it meant to be a warrior.

They first began to write these thoughts down as yuigon, last words to their descendents, or as kabegaki, literally "wall writings," maxims posted to all their samurai.

Samurai itself is an interesting word, coming from the classical saburau, "to serve." So when we understand that a samurai is "one who serves," we see that the implications go much farther than simply being a soldier or fighter.Also, it is important to understand that Confucian scholars had always reflected on what it meant to be true gentleman, and they concluded that such a man would be capable of both the martial and literary.

The Japanese inherited this system of thought early on, so certain ideals were already implicitly accepted.The warrior class ruled the country for about 650 years, and their influence-political, philosophical and even artistic-had a long time to percolate throughout Japanese society.Q.: The Samurai were very much renaissance men - they were interested in the arts, tea ceremony, religion, as well as the martial arts.

How did the martial arts fit in?A.: This question goes back to the Confucian ideal of balance that Japanese inherited, probably from the 7th century or so.

The word used by both to express this concept, for the "gentleman" by the Chinese and the warrior by Japanese, is (hin), pronounced uruwashii in Japanese, meaning both "balanced" and "beautiful." The character itself is a combination of "literature" (bun) and "martial" (bu).

The study of arts like Tea ceremony, calligraphy, the study of poetry or literature, and of course the martial arts of swordsmanship or archery, broadened a man's perspective and understanding of the world and, as mentioned above, provided him with a vehicle for self-discipline.

The martial arts naturally were included in the duties of a samurai, but this did not make them any instructive in becoming a full human being.Q.: What was sword fighting like?

Then I suppose that a fight between men who were resolved to die would be quite different from a fight between men who were not interested in getting hurt.Q.: How is the code reflected in Japanese society today?A.: When I first came to live in Japan in the 60's, I was impressed how totally dedicated and loyal people were to the companies where they were employed.

When I eventually understood the words samurai and saburau, it started to make sense.

While these men (women would usually not stay long with a company, giving up work for marriage) did not carry swords of course, they seemed to embody that old samurai sense of service, duty, loyalty and even pride.

  • Language: English
  • Category: Biography
  • Rating: 4.13
  • Pages: 287
  • Publish Date: August 13th 2004 by Kodansha
  • Isbn10: 477002942X
  • Isbn13: 9784770029423

What People Think about "The Lone Samurai: The Life of Miyamoto Musashi"

Indeed despite being born into a culture based on influence and patronage Musashi stands out as a man who claimed to have no teacher in the various Ways he pursued (and he was not only a swordsman, but also an artist, metallurgist, and perhaps even a Zen master). In addition to providing an informative framework for Musashis life the book also gave me some insight into some of the foundations of Musashis thoughts on the martial arts. Psychology (knowing and exploiting ones enemy) and fluidity of thought and movement appear to have been keys to Musashis Way of the Sword. These cover the various developments of the story of Musashi in Japanese culture (both traditional and popular) from kabuki and bunraku drama to novels, movies, and manga; the possible influences on his famous work on the way of the sword, The Book of Five Rings, from other sources such as Sun Tzu, The Mysterious Record of Immovable Wisdom a contemporary work that examines the connections between martial arts and the philosophy of Zen by the Zen Buddhist monk Takuan Soho, and the famous swordsman Yagyu Munenoris martial arts manual The Life-Giving Sword There is also an exhaustive list of the movies based on Musashis life.

Miyamoto Musashi did not change the politics or shape events in Japanese history. All of this fed into the mind of Miyamoto and was to resurface years later in his book Go Rin no Sho (The Book of Five Rings), this was written as five chapters and represented his views, the chapters were: The Book of Earth chapter serves as an introduction, and metaphorically discusses martial arts, leadership, and training as building a house. The Book of Wind chapter is something of a pun, since the Japanese character can mean both "wind" and "style" (e.g., of martial arts). It says in the opening quote that he never influenced politics or shaped events in Japanese history nor did he write a work that would affect a genre of literature or poems that would become classics. The Majority of the information and all of the inspiration for this post came from William Scott Wilsons book The Lone Samurai: The Life of of Miyamoto Musashi. William Scott Wilson became involved in the life and work of Miyamoto Musashi, when asked to do a translation of The Book of Five Rings, this was to be a bilingual edition and after its completion he was asked to write a short volume on the authors life. Making the Lone Samurai, not only William Scott Wilsons personal quest, but our best resource to who Miyamoto Musashi; Swordsman, philosopher, Artist was.

Miyamoto Musashi did not change the politics or shape events in Japanese history. This flourishing reached across all facets of Japanese culture, raising to greater heights everything from castle architecture and classical poetry through to the martial arts, with new schools hanging up their shingles all over Japan; this was also the period when the Tea Ceremony reached its zenith. The Book of Wind chapter is something of a pun, since the Japanese character can mean both "wind" and "style" (e.g., of martial arts). It says in the opening quote that he never influenced politics or shaped events in Japanese history nor did he write a work that would affect a genre of literature or poems that would become classics. The Majority of the information and all of the inspiration for this post came from William Scott Wilsons book The Lone Samurai: The Life of of Miyamoto Musashi. William Scott Wilson became involved in the life and work of Miyamoto Musashi, when asked to do a translation of The Book of Five Rings, this was to be a bilingual edition and after its completion he was asked to write a short volume on the authors life. Making the Lone Samurai, not only William Scott Wilsons personal quest, but our best resource to who Miyamoto Musashi; Swordsman, philosopher, Artist was. He completed his first translation, Hagakure, while living in a farmhouse in Japan....His first original work, The Lone Samurai: The Life of Miyamoto Musashi, was published in 2004. He has done extensive research on Japanese philosophy and Bushido, the way of the samurai." According to Florida International University Professor Michael Weissberg, "William Scott Wilson is possibly the most important scholar in the area of Japanese Edo period texts in the last century".

Musashi is a legend in Japanese history because he is considered the greatest samurai of his time period from about the late sixteenth century to the early seventeenth century. Unlike most samurai of legend Mushashi is a ronin, or a masterless samurai. Ronin tend to be trouble makers for other samurai clans due to their tendencies to duel great samurai. Musashi was unlike most samurai in the period.

In his later years he took up painting, sculpting, even writing (his classic The Book Of Five Rings is still in wide use today). The author (who is the one responsible for translating Hagakure into English) not only tells the tale of Miyamoto Musashi, but takes time to tell the other side when there are alternate accounts of the same event.

I suppose to truly appreciate the man you need to understand the times and the culture in which he lived.